Maestro Chorrizo
Shake very very vigorously with ice and strain into a frozen coupe glass.
Chorrizo is quite the superb musician and band leader.
- (the) CLIVEsy — Herbal liqueur, Licor 43, Lemon bitters, Half-and-half
Shake very very vigorously with ice and strain into a frozen coupe glass.
Chorrizo is quite the superb musician and band leader.
Shake very very vigorously with ice and strain into a frozen coupe glass.
Another of Chorrizo's many talents is teaching music.
Combine all of the ingredients with ice in a shaker and shake to chill. Strain into a chilled coupe and garnish.
TIKI: Modern Tropical Cocktails
Shake with ice and strain into a frozen coupe glass.
In memory of a Naval Academy graduate.
Shake very very vigorously with ice and strain into a frozen coupe glass.
A marvelous purple color.
With thoughts of Navy shipboard duty and a Naval Academy graduate.
Shake with ice and strain into a cocktail glass.
Created to amplify the natural vanilla notes in the poire william, a simple but delicious sour.
Stir over ice, strain into coupe.
Death and Co. Modern Classic Cocktails
Shake very very vigorously and strain into a frozen coupe glass.
The pomegranate juice I have is fresh-picked & squeezed, and is more bitter than sweet, holding down the "too much sweet."
Total Success getting the riding mower up & running and the front horseshoe mowed to perfection.
Shake the absinthe, grapefruit juice, and elderflower liqueur with ice, strain into a flute with 2-3 oz dry sparkling wine, and garnish with a grapefruit twist.
I have since done this with the elderflower split 50:50 with honey syrup (1:1) with good effect.
At work, the general manager of Menton (our sister restaurant) asked if there was a secret to making the Death in the Afternoon a good drink. I replied that there really was not; basically, either you enjoy the combination or you do not. Then that evening at Drink, a guest asked for an absinthe cocktail. I then recalled how well absinthe paired with pink grapefruit juice via one of the drinks at the Kübler Absinthe release party here in Boston pushed on me by woodland nymph characters circa October 2007. With that, I added elderflower liqueur to take the mix in a Bohemian direction, and cava to circle back to the conversation earlier that afternoon. For a name, I dubbed this one The End of Something after a short story by Ernest Hemingway as a nod to the Death in the Afternoon inspiration.
Stir with ice, strain into a coupe rinsed with absinthe, and garnish with a lemon twist.
After having a drink called Close But No Cigar (see link in "source reference"), I was inspired by the combination of Manzanilla sherry and honey in that Manhattan riff. I wondered how it would do in a Martini riff; I had used a 3:1 dry vermouth to syrup ratio in the As Perfect as a Limerick at Nahita, and I knew that it would come across like blanc vermouth. To round off the combination, I added an absinthe rinse instead of the inspiration's Peychaud's Bitters in the mix and the Scotch rinse, and in keeping close to the original in name, I dubbed this one Close Enough for Jazz.