While writing up the Gentlemen's Exchange for my blog, I was inspired to create something new. I took that drink's Averna-Suze duo and added in influences of the falernum from the Bywater and the rhum agricole-Suze combination of the Fort de France and other recipes. I bolstered the effect of the small amount of falernum with lime oils in the garnish (perhaps with my Loyal Nine version of the Georgetown Club in mind) and clove notes from the bitters. For a name, I dubbed this one the Sylbaris after Ludger Sylbaris, a Martinician sailor who surprisingly survived the 1902 eruption of Mount Pelée due to the shielding and protection of his thick jail cell walls although not without sustaining burns; he later traveled with the Barnum & Bailey Circus as a celebrity.

A variation on modern versions of the 1950's Cardinale which was originally a gin/Riesling/Campari cocktail created by Giovanni Raimondo at Hotel Excelsior in Rome.

The Riesling was changed to dry vermouth in contemporary recipes, and the 2024 official IBA version is 4 parts gin, 2 parts dry vermouth, 1 part Campari.

Made for the Reddit Original Cocktail Competition, October 2026: Basil and fruit brandy.

My open can of Coco Lopez had me thinking about the Tradewinds, and its apricot liqueur made me consider how well bitter liqueurs would work in there. My original idea was to do a Ferrari-based (Fernet-Campari) riff, but the flavors ended up too muddied, so I changed it up by dropping the Fernet from that and returning it to being a bit more rum-driven. Nixing the Fernet over the Campari was a no brainer for the latter works rather well with apricot liqueur such as in the A Study in Pink and the Jungle Hotel Bird. The apricot also pointed me to its synergy with Swedish punsch which I learned about in the Havana Cocktail, and Swedish punsch works great with Campari from a trio of drinks I had in 2012 – namely, Sleeping with Strangers, Barefoot in the Dark, and Deck Hand. For a name, I dubbed it the Sidewinds named after a breezes that can blow a moving object off its direction of travel.

I was inspired by a drink at Trina's Starlite Lounge called the Wagon Wheel Watusi with rye, Smith & Cross, Benedictine, crème de cacao, and lime. Trina's has paired cacao and Benedictine together before in the Grandpa's Drunk, and I have enjoyed the combination in drinks like the Divorcé in NYC and included it in my King of Birds. For a direction, I took it in the way of the Jet Pilot riff Benny & the Jets and I dubbed it after a 2006 hip-hop song by The Coup called My Favorite Mutiny. I had enjoyed that song in a playlist created by a tequila brand ambassador, and I made note of it in my list of potential drinks names a few years ago.

After spotting a rye drink on a menu that had Cynar and Montenegro as modifiers, I realized that it was similar to what I enjoyed in the Tio Amargo with Demerara rum. I was inspired to swap the base to a split of mezcal and pineapple rum which I discovered in the Hunter Thompson and utilized a few times before such as in the Cannibal Cove last Fall. For a name, I dubbed this one the Electric Circus after the 1960s New York City nightclub with a variety of performers often associated with Andy Warhol that I read about in the St. Marks Is Dead book. From 1967 to 1971, the Electric Circus incorporated the big top aspect with everything from jugglers, mimes, trapeze artists, and body painting, and added in other performances like psychadelic multi-projector audiovisual shows and bands like The Velvet Underground, The Grateful Dead, and Sly & the Family Stone. One quote about the establishment caught my curiosity with, "Like Woodstock, if you remembered much of what happened at the E.C., you weren't really there."